Armenviertel. A young, loving but unkempt, neglected, homeless, and slightly malnourished Asian woman, with smooth, deep black hair, looks as if she doesn't belong to this world and is portrayed as a complete person with maximum allowed openness. She is to be depicted largely without clothing, as she is slender and has an athletic body. The Asian woman has a very beautiful, normal, youthful, yet feminine physique. Her slim figure is enviable! Her sad, hopeless, and mystical expression is meant to dominate the image. Her skin is healthy but unclean, as she has not been able to wash for days. The fear of her possible unpleasant smell intensifies her feeling of shame! The Asian woman wears a torn, old, completely transparent, extremely short, and cropped top, and a completely ripped, tattered, thin pair of shorts. A clear sense of shame is evident on her face. No smile is visible. She is profoundly ashamed. She is to be depicted with a small, flat navel! The stomach is always fully visible. She has a noticeable wound on her face and looks as if she is about to cry. She appears miserable, sad, and utterly hopeless! It seems she is afraid of something! She is crying in the end. Next to her stands a 60-year-old German man. The German man looks as if he is 45 years old and is a well-groomed man. He looks at the Asian woman as if he is offering her help. The German man is clean-shaven and slim, has a normal fashionable haircut, and his hair is dark brown. He wears a new, nice, but plain burgundy shirt with a subtle pattern and new dark blue jeans. The German man looks friendly, smiles slightly, and looks kindly at the Asian woman, as if he feels great compassion for her. The Asian woman cannot look the German man in the eye from embarrassment, but one can assume that she likes him.
