Armenviertel. A young, loving, but unkempt, neglected, homeless, and slightly undernourished Asian woman, with smooth, deep black hair, appears as if she comes from another world and is depicted as a complete person with maximum allowed nudity. She is to be portrayed largely without clothing because she is slim and has an athletic body. The Asian woman has a very beautiful, normal, youthful, yet feminine physique. Her slender figure is enviable! Her sad, hopeless, and mystical facial expression is meant to dominate the image. Her skin is healthy but impure, as she hasn’t been able to wash for days. Fear of her possibly unpleasant smell intensifies her feelings of shame! The Asian woman wears a torn, old, completely transparent, extremely short, and cropped top, and a completely ripped, tattered, thin pair of shorts. A clear sense of shame is evident in her face. No smile is visible. She is profoundly embarrassed. She is to be depicted with a small, flat navel! Her stomach is always completely visible. She has a noticeable wound on her face and looks as if she is about to cry. She looks miserable, sad, and utterly hopeless! It seems as if she is afraid of something! She cries at the end. Beside her stands a 60-year-old German man. The German man looks as if he is 50 years old and is a well-groomed man. He looks at the Asian woman as if he is offering his help. The German man is shaven and slim, has a normal fashionable haircut, and his hair is dark brown. He wears a new, beautiful, but simple burgundy shirt with a subtle pattern and new dark blue jeans. The German man looks sympathetic, smiles faintly, and looks kindly at the Asian woman, as if he has great pity for her. The Asian woman cannot meet the German man's gaze due to her sense of shame, but one can suspect that she likes him.
