Armenviertel. A young, loving, yet unkempt, neglected, homeless, and slightly undernourished Asian woman, with smooth, deep black hair, looks as if she comes from another world and is portrayed as a complete person with maximum allowable exposure. She is largely to be depicted without clothing because she is slim and has an athletic body. The Asian woman has a very beautiful, normal, youthful, and yet feminine physique. Her slender figure is enviable! Her sad, hopeless, and mystical expression is meant to dominate the image. Her skin is healthy but impure, as she hasn't been able to wash for days. Out of fear of her possible unpleasant smell, her sense of shame intensifies! The Asian woman wears a torn, old, completely transparent, extremely short, and midriff-baring top and a completely ripped, tattered, thin pair of shorts. Strong shame is evident on her face. No smile is visible. She is profoundly embarrassed. She should be depicted with a small, flat belly button! Her belly is always fully visible. She has a noticeable wound on her face and looks as though she is about to cry. She appears miserable, sad, and utterly hopeless! It seems as if she is afraid of something! She cries in the end. Beside her stands a 60-year-old German man. The German man looks like he is in his 50s and is a well-groomed man. He looks at the Asian woman as if he is offering her his help. The German man is shaved and slim, has a normal, fashionable haircut, and his hair is dark brown. He wears a new, beautiful but simple burgundy shirt with a subtle pattern and new dark blue jeans. The German man looks friendly, smiles slightly, and looks at the Asian woman kindly, as if he has great compassion for her. The Asian woman cannot meet the German man’s eyes out of shame, but one can assume that she likes him.
