Armenviertel. A young, loving, but unkempt, neglected, homeless, and slightly undernourished Asian woman, with smooth, deep black hair, looks as if she comes from another world and is depicted as a complete person with maximum permissible nudity. She is to be represented largely without clothing, as she is slim and has an athletic body. The Asian woman has a very beautiful, normal, youthful yet feminine physique. Her slender figure is enviable! Her sad, hopeless, and mystical facial expression is supposed to dominate the image. Her skin is healthy but impure, as she has not been able to wash for days. Out of fear of her possible unpleasant smell, her sense of shame is intensified! The Asian woman wears a tattered, old, completely transparent, extremely short, and crop top, and a completely shredded, torn, thin pair of shorts. Clear shame is visible on her face. No smile is discernible. She is exceedingly ashamed. She is to be depicted with a small, flat navel! Her belly is always fully visible. She has a distinct wound on her face and looks as if she is about to cry. She looks pitiful, sad, and entirely hopeless! It seems she is afraid of something! She is crying at the end. Beside her stands a 60-year-old German man. The German man looks as though he is 45 years old and is a well-groomed man. He looks at the Asian woman as if offering his help. The German man is shaved and slim, has a normal fashionable haircut, and his hair is dark brown. He wears a new, nice but plain wine-colored shirt with a subtle pattern and new dark blue jeans. The German man looks friendly, smiles slightly, and looks at the Asian woman kindly, as if he feels great compassion. The Asian woman cannot look the German man in the eyes out of shame, but one can suspect that she likes him.
